undertakers picnic: Next Undertaking
This was the final rendition for commlab. It was a short video Jill and I made. we added and improved the sound. hopefully it works better.
This was the final rendition for commlab. It was a short video Jill and I made. we added and improved the sound. hopefully it works better.
So here are some pics. finally the machine was working.
Next day, I asked for help with Rob, brian helped me tons. he brought the heavy duty tools. Cooper stand attached with screws and tie downs and velcro to secure the projector!!
I must say the projector for me was like a jewel and did not play with it with much confidence. He did and it was very effective. and the projector was safe all the time.
Now I had a great screen projecting. but my window was too transparent. I had to cover it with contact paper. or vellum.
I cover the central circle but the the outer part was crazy. I had to ask for help to the girls who sew. how do you build a lampshade?
So I had the machine I had the help, but I did not have permission from ITP to bring a wasching machine in. Somehow I found that it was of utmost importance I got a permission, and I really focused and obsessed in getting it. at the end, it was so much easier than I thought even though I still felt I did not have a full disclosed permission.
SO I needed to project my processing sketch in the front window. Not a screen but projector. One option was to project from outside, but was very out of the question, If I did that the person would block her own projection.
the other option was using these tiny really small LED projector. it worked wonders.
…. not yet. the space inside the machine, in the drum was too small. My projection seemed like postcard and you could not see your own reflection.
They (Danny, Rob, Ariel, Jeremy) suggested me using a two way projection. I did that it grew but still was not filling the whole screen.
Again I was suggested to use a THREE way projection, the projector on top of the drum, a mirror on the bottom and another on the back to project to the front. it worked… kind of. it was still not absrobing the whole window.
My window even had a weird shape so I needed to get all the screen real estate I could.
At some point I though of just opening the machine from the back, perforating the drum inserting the projector and be done. That was not that difficult, but it would mean the machine would be useless afterwards.
I did want to give to some institution or NGO that could use later.
So I clsed the back of the machine again, and tried a projection diagram ariel gave me, prjector in the front at the back, a mirror in the bottom front, and mirror in the back and voila!!
not yet….
the projector had a hard time staying in position. The drum was moving and needed to be secured.
I spent one whole day playing with the positioning of the projector. I even covered the drum in Mylar, tapping on the experience with mirror girl.
I went back home, knowing I was close but not there yet.
SO this is just a part of the process of getting the washing machine. It was one week before finals, I proposed to do a watching machine, a machine that could take your reflection and wash it while you looked and stared at the window of the machine.
I really liked the idea of how the sound can be very inmersive, how the washing ritual can really absorb you and how it is the only time you have to actually sit and wait and be comfortable.
here is the sound
So after many days looking into Craigslist and Freecycle, finally one friday night like 7 pm I found this post that said.
OFFER: Washing Machine – Bosch 24 “AXXIS” req’s drain cycle repair
Posted by: “Margaret (Mollie) Meyer”
White, compact Bosch Washing Machine.
Front loading.
2.1 cubic capacity.
Stops in the drain cycle so will require repair.
LED display.
Cost $1,000 new – had for 5 years and has broken only now. Do not
want to deal with repair so hoping to find it a new home.
MUST pick this up on Saturday (12/6) in SoHo between 2-6pm and have
someone willing to carry it out as I will not be able to assist with
carry or with transportation.
Link to review washer here:
http://www.universal-akb.com/24boaxwawf.html?productid=24boaxwawf&channelid=FROOG
These are the pictures of the adventrue to pick it up.
I got three wonderful friends from ITP to help me out. I was very excited to tell them I had found one, a washing machine that did not cost me money, that I did not need to go out of manhattan to pick up, that had a front window, and that was mine If I only I picked it up.
Jorge and Ariel told me they could help me carry it. Now I just needed to get a man with a van or car service or get the trasnportation.
I was telling many people in ITP I had found the machine, I was telling those who had been upto date on my search. So I told Liesje and she offered to get a zipcar for one hour to go get it. It was incredible.
So here are the pics.
just wanted to share this link with the blog. it is a photo of jee in her great role as mirror girl for the short film in commlab. It was a great experience, working with two great allies.
http://www.wunderbloc.com/neighborhood/fashionista.php?personId=866&neighborhoodId=all
I learned all about relays, of which I did not know a thing before. I actually had a very hard weekend on the very first meeting with them.
So they are as far as I understand a magnetic switch that closes or opens when I tell it to. in this case it will server as my finger pushing the play button. When the arduino “hears” something thru the microphone it will have the relays “push” the play button of my recording module.
It was during those first trials I burned my recording module.
Video created in after effects. for the communications lab course.
This was created by jill and myself. over the course of one day.
This clip is really inspriring for the pComp project I am building.
nina katchadourian
http://www.ninakatchadourian.com/confusinganimals/caralarms.php
tatiana arocha
http://www.tatianaarocha.com/
natalie jeremijenko

http://www.goodmagazine.com/section/Portraits/mad_scientist
Have you recently experienced a heightened awareness of environmental concerns? Common symptoms may include: nausea, depression, feelings of helplessness, and increased fear of the words “polar,” “ice,” and “caps.” While there is as yet no cure for this condition, specialist Dr. Natalie Jeremijenko, of NYU’s Environmental Health Clinic, might be able to help. Since the clinic’s launch in February, Dr. Jeremijenko, along with her trained assistants, has been addressing the environmental anxieties of its visitors.
To be clear, Jeremijenko, 40, has a Ph.D., not an M.D. And the project is run under the auspices of NYU’s Art Department, not the School of Public Health. Her credentials as an artist and environ-mental activist, however, are solid. Since arriving in America in 1994, the Australian-born artist and engineer has been producing work that harnesses technology to make people’s interactions with the natural world more, well, interactive.
“You walk out with a prescription not for pharmaceuticals, but for actions.”
When visitors come to the clinic with an environmental health concern—like children’s exposure to lead—the clinic’s specialists don’t simply trot out advice about limiting exposure to paint chips (it’s a conceptual art project, not a health provider). “What differs,” says Jeremijenko, “is that you walk out with a prescription not for pharmaceuticals, but for actions and … referrals to interesting art, design, and participatory projects.” Concern about lead in the neighborhood might call for a prescription for planting sunflowers to detoxify the soil in the park where children play. The clinic then might ask for samples of the flowers to determine how many chemicals the plants had absorbed, while keeping detailed records that are available to the public. “The data is precisely not private—it has to do with the shared space, air, water, and environmental systems we inhabit.”
Jeremijenko’s body of work exists somewhere in the ideological netherworld between the dystopian vision of people glued to computers while the world rots around them and the utopian vision of technology as a panacea. It has included robotic toy dogs whose noses were modified to detect toxins in supposedly-clean former industrial spaces, genetically-identical trees planted around the Bay Area in a statement on biodiversity, electronic buoys anchored near the shore of the Hudson River that glowed when fish pass between them (so bystanders could feed the fish special food that flushed out harmful PCBs), and weight-activated perches that delivered prerecorded soliloquies on avian flu when birds landed upon them.
As with all these projects, the goal of the Environmental Action Clinic is not just to help people make better choices for the world around them—it’s to show people that environmental problems have immediate effects on their health. “Have you ever noticed the flaccidness of the ‘what you can do’ screen at the end of rousing documentaries like An Inconvenient Truth? Translating environmental issues into health concerns makes them more tangible, manageable, and measurable,” says Jeremijenko. “How many petitions is a person really willing to sign?”
http://www.salon.com/ent/feature/2006/06/22/natalie/
She is an intellectual and emotional storm. Her renowned public artworks are reshaping the ways we think about science. Activist, environmentalist and former rock promoter Natalie Jeremijenko turns the art world upside down.
By Kevin Berger
June 22, 2006 | It’s an icy spring morning and Natalie Jeremijenko skates into the Soy Luck Club on Rollerblades. The boutique cafe in New York’s West Village has polished concrete floors, brick red walls and burnished wood counters. It feels like it was designed to be featured in one of those big modernist architecture magazines. But Jeremijenko’s chaotic energy seems to melt the frosty interior into thin air.
Wearing a parka with a fake fur collar over a tight dress, she rolls around the glossy Knoll furniture, talking nonstop about her latest art project. She has all kinds of science degrees and drops terms in biology and mechanical engineering the way most people do the names of film stars. With her animated eyes and sly smile, her blond hair pulled loosely behind her head, she has the magnetism of a natural actor. Yet her enthusiasm often overtakes her logic and her sentences dart around like children. Born and raised in Australia, she retains her Aussie accent and seems to live so comfortably on abstract planes that at times you don’t know where she’s coming from. And that, her husband, Dalton Conley, a New York University sociology professor and writer, later says, goes for him too.
Alighting at a table, Jeremijenko, 39, explains that her work is “all about creating interfaces that draw people into the environment and get them to reimagine collective action.” She cracks open her laptop and displays an image of 100 polycarbonate tubes or “buoys” that she’s engineered to glow when fish swim through them in the Hudson River. Yes, she really has government approval to position the buoys in the river. Given her day job as a professor, she convinced state environmental officials her project was all about science. But never mind that. Did you know the fish were on Zoloft? All the antidepressants that New Yorkers take are flushed through their urine into sewage treatment plants, which overflow into the river. You doubt her? Go to the Whitney Museum and see one of her drawings hanging on a wall by a bathroom. It features a woman’s bottom, her pants below her knees, on a toilet seat. It asks, “Why are the Hudson River fish and frogs on antidepressants?” Printed on it in tiny letters are actual studies that attest to the chemical drug compounds in the waterway consumed by the unsuspecting bass, sturgeon and crabs.
Anyway, when the buoys light up, you can feed the fish food treated with chelating agents to help cleanse the PCBs from their blood, planted there from decades of General Electric dumping waste into the river. The fish food, in fact, will not be much different from the energy bars we’re always eating on hiking trails. “The idea that we eat the same stuff is a visceral demonstration that we live in the same system,” Jeremijenko says. “Eating together is the most intimate form of kinship. By scripting a work where we share the same kind of food with fish, I’m scripting our interrelationship with them.”
Oh, and one more thing. Do you know about the American doctrine that says a corporation has the status of a person and enjoys all the legal protections afforded by the Constitution, including the right to own property? Well, beginning this week, Jeremijenko is selling the buoys to collectors. With the money, she plans to form a corporation called Ooz Inc. – zoo spelled backward — and put the fish on the board. That way the fish, as shareholders, will acquire personhood, and have a say in the preservation of their grungy habitat.
Is she kidding? No, she’s not. She wants us to feel as connected to wildlife in New York City as we do in the Adirondack Mountains. And reflect on the ways we impact nature and the ways it affects us. She’s a maverick environmentalist whose field notes are public artworks. But she is being playful, a hallmark of her art and personality, and the trait that allows her work to stand out in the vital cultural arena where art and science collide.
some many pics that I found interesting.
this quick but relevant trip was very good, it gave me new ideas to apply towards the zoolyphone. I saw a big whale, the african mammals, the dinosaurs, the american mammals 200 fish, 300 shells, a flying octopus, a christmas tree filled with hanging stars, masks from the inuits, a giant hanging canoe, a baobab tree with all its insects contained withint the tree in glass tiny holes. I saw how to identify gases in space based by their colors, I saw the birds of northamerica, a giant ant and a giant mosquito. I walked amidst 500 butterflies raised in butterfly farms in southamerica flown by plane to a mini green house inside a giant museum in a freezing new york city. If they only knew they did not fly south for the winter but north.
I saw the Climate change exhibit, I was impressed to see the polar bear floating on trash. I learned about music, language and human communication and how animals do the same things in their own ways.
I know I got many many ideas, to reshape my project. but my brain is still
processsing… processing… processing..
again sorry for this…..
please wait while I post more pics.
pending pics
…..
please hold on the line while we tend to your request.
this short video was made for Comm lab course .
It shows the life of a girl with a reflective face walking around the city.
Perhaps people have seen it all…. but themselves.
this video was made with Ariel Nervaez Jeeyhun Moon and myself.
[music by bjork] [soundtrack from drawing restraint]
a list of pics exploring why I like bottles with light and water.
these pictures were found online through different search engines.
Here is the documentation for serial communication.
stating the basic problem we are trying to solve. I believe.
serialcommunication
Worry Friends,
here is the powerpoint for the project.
http://www.slideshare.net/secret/euyMKgQIVvYDMH
This project came out of a brief brief. I wanted to work with a servomotor, I wanted to reuse some of my older project, and I had in my head three conferences I saw on picnic network and TED.
One by Stefan Agamanolis where he talks about the Isophone, to enhance communication.
Another by Laura Trice, where he urges the TED atendees to say their needs outloud to improve their relationships and please always say Thank you. Something I have found not to be very common here in New York.
I got really excited with comics and comicc bubbles in Communications Lab after reading Scott McCloud.
And I have Red’s Class, for which I proposed a project that has kept me awake for at least two nights. and is related to this whole thing in a way.
http://www.ted.com/index.php/talks/laura_trice_suggests_we_all_say_thank_you.html
http://www.picnicnetwork.org/person/21810/en
hope you enjoy, I just posted pictures, so to leave information to the user.
oh well, why not. This project I envision it to be on a pantry or market shelf, kind of attention deficit products, when you approach them they call you, when you leave they are sad.
If I leave the mooncake on the shelf, being a very traditional present it is also a very emotional product. hence it has feeling and is very “outspoken”.
It was really very interesting to read Scott McCloud’s “Understanding Comics”. I read through it in barely two hours. I liked comics and at some point studied their history. I have never been a declared fan of comics, but now I find them very fascinating as a narrative form. I loved the way the author explained the whole issue regarding abstraction, and how to represent time. I had studied how time was represented in film, painting and music but never in comics. It really set the pace for many other mediums.
The book was realy inspiring especially, the way the japanese use of the panels. I really loved how they use the panels and drawing in a very subtle way. We experimented with our comic, hopefully it can come to an understanding.
When setting out to start the comic, we established what we liked about comics and what we wanted to work on. It was a very organical way of working, since we both decided to work on mexican and spanish adult romance and sex comics. They are very popular and the graphics, narrative and language is very particular. They are very sexually and violently charged. So we wanted to play with the grpahics, but we wanted to tell a whole different story, discharged of the violence ans sex as much as possible. The dialogues are shameful and often double what is being “said” in images. So we decided to make the comic without words, we would only use symbols. I still had in mind all the language that is used with autistic children.
So we started with that, we got 4 comics, sliced them open and started selecting the panels we liked. Afterwards, we started telling a story setting out our pages in the table. Then we scanned the images (after experimenting and losing many battles to the scanner and its settings) we got image files to work over in photoshop. We cut, cropped, pasted, added, removed and assembled the pictures to tell the story we wanted.
After wards Ariel assembled the 6 panels in a vertical way, to make it look like an ancient scroll. Then we had on my computer to continue working on it and try to make it webaccesible (it was ONLY 54MB).
With a little help of my friends, (Juri and emeri)
the file was compressed, flattened, and webready at 500KB. impressive.
and then it was on the blog.
This lab ws a bit easier, in the sense that it helped reaffirm some of the knowldege we had.
I learned how to use a multimeter, learned how to do plug, soldering lessons were reaffirmed. I did not quite grasp how to measure amps.
I did a short video, kind of a love o meter, showing my new found relationship with electricity, I am beginning to understand her and perhaps being friends with her.
Ok, my project is kind of working. I will be showing it in class, I still have one question, since I dont know why my LED wont go back to dark when it senses light.
please help.
This is the observation tour Liesje and I did on a bus from 9th street and 1st avenue towards the West Side Highway.
Trip from 1st Avenue to West Side Highway on a bus along 9th street.
time action location duration (aprox) number of people involved motor skills needed intent
12:25 We started 9th st and 2nd ave. We used the mterocard 9th Street 10 seconds each 1 hand/arm/ neck get on the bust to observe people
12:30 Theres a woman who asked for the bus to be lowered. 9th street 1 minute 2 (driver/passenger) legs, arms, fingers, neck, hand having the bus be more accesible
12:25-12:40 The japanese guy with iphone and ipod, antoher guy with headphones. And a woman with Iphone. 9th street 15 minutes 3 legs, arms, fingers, neck, hand multitasking while getting to ther destination
12:25-1 Sidewalk filled with cellphones, flip phones, iphones. 9th Street all conversations varied 30(each holding a different kind of celphone) legs, arms, fingers, neck, hand walking getting to their destination
12:40 A tourist with a camera 9th street 4 minutes 3 the mother, supervising father and the subject daughter legs, arms, fingers, neck, hand capturing a stoop in NYC
12:41 The tourist bus–people using cameras and interactive tourist guides. 9th street we saw at a stop sign, but assume the tour must last around an hour 15 arms, hands, fingers, neck visiting the sights in NYC
12:25-12:45 Bus is lowered when people get off 9th Street 1 2 legs, arms, fingers, neck, hand letting the old lady get down from the bus
12:25-12:40 using the yellow stripe to open the door 9th street 30secs 10 (the bus was not really crowded) hands and fingers asking the driver to stop the bus
12:25-12:40 The loudspeaker the driver usess to make announcements. 9th street 30 secs 1 hand and fingers to make announcements
12:37 UPS with handheld device. 9th Street 3 min 1 hand and fingers to verify address and receiver
12:38 using a wireless handsfree 9th street 4 min 1 hands and fingers (when initially set up) to speak on the cellphone hands free
12:39 More cellphones and ipods. 9th street 10 min 10 hand and fingers walking and talking
12:38 the metro card in the bus 9th Street 10 sec 1 hand, fingers to get in the bus
12:38 people swiping metrocards into the path train 9th Street 3 seconds 1 hands pay subway fare
12:39 a concierge talking on the cellphone 9th Street unknown 2 hands communicate
12:45 PM -12:50 PM lots and lots of people walking with cellphones Hudson River Park unknown 2+ hands, fingers communicate
12:47 tourists taking pictures with cameras Hudson River Park 30 seconds 2 to 5 hands, fingers take pictures
12:48 Babystiters talking on cellphones Hudson River Park unknown 2 hands communicate
12:48 runners listening to iPods with armstraps Hudson River Park unknown 1 hands entertainment
12:49 listening to music with large headphones Hudson River Park unknown 1 hands entertainment
12:50 opening a vending machine using a remote control Hudson River Park 10 seconds 1 hands open vending machine to add new merchandise
1:15 paying cab fare using touchscreen Houston 20 seconds 1 hands pay fare in cab
1:15 Map touchscreen in Taxi Houston 20 seconds 2 hands view position on map while in a cab
1:20 The woman at the restaurant with the touchscreen Houston 30 seconds 1 hands, arms order food for customers/communicate with the kitchen
13:00 Traffic guy with a walkie talkie canal west side highway. West Side Highway 2 minutes 2+ hands,arms communicate with other traffic managers
13:00 Operating gas pump interface West Side Highway 3 minutes 1 hands/arms pay for and pump gasoline
13:00 push button at the red light West Side Highway 10 seconds 1 hands change light color
More cellphones
12:05 Celphones in the cars, people with handfree and Bluetooth handsfree. West Side Highway unknown 2 hands talk to someone or listen to voicemail
1:05 The woman at the cookbook shop with computer and wireless phone, 13h05 7th Ave S. 3 minutes 1 or 2 arms, hands, vocal chords look up information, communicate
12:50 using a camera Hudson River Park <1 minute 2 arms, hands take a picture
12:25-1:40 PM using a digital voice recorder Lower Manhattan ~2hrs 2 vocal chords, hands/arms record this assignment
1:10-1:30 using a laptop Starbucks, Hudson St. 20 minutes unknown hand/arm movmenent unknown
1:20 using an ATM chase bank at Hudson and Charlton. 2 minutes hand/arm movement withdraw or deposit $$
1:30 Man on bus listening to iPod. All along 9th St. 15 minutes 1 hand/arm movement entertainment
1:45 Woman checking messages on a blackberry using her thumbs Hudson St. 3 minutes 1 or 2 hand/arms checking messages
1:43-1:48 using cell phones Christopher St and Hudson St. various ~15 (each talking to another person, so actually ~30) hands/arms communicating with someone
1:47 Using a touch screen restaurant system 518 Hudson 30 seconds 1 hands/arms ordering food for customers
1:47 Using a touch screen in Post Office Charles and Hudson 1 minute 1 hands/arms buying postage for a package
1:48 Using an ATM Right Aid on Hudson 1 minute 1 hands/arms withdraw or deposit money
1:49 Person in Travel Agency using a phone and laptop McCarthy Square unknown 2 hands/arms looking up travel information and communication with customers
Audio Files
http://drop.io/pcompnm
Walter ONG,
I found this book to be very interesting, although very complicated in its narrative. It brought to mind many ideas and projects and thoughts and ramblings I’ve had for some time.
Although, I still need time to wrap my head around the concepts that Ong proposes.
But some of the connections I could make with it are these.
Repetion the same joke.
In rural Mexico, and perhaps in many other places I can now see, people tell the same stories over and over. They sit down on the sidewalk with big chairs and stay telling the stories of the people, not in a storytelling fashion but more in a news, gossip and commentary fashion. I thing I have found very interesting is how for a joke, the punchline gets repeated a minimum three times.
I just read in Daniel Shiffman’s book, “What is the key to comedy? Repetition What is the key to comedy? Repetition” Anonymous.
These jokes told in rural mexico are usually tied in with a character in the town, or a to a story. By laughing off them, people learn things.
Sayings, Music and Albures
We have lots of sayings and other recipes for life that have never and will never be recorded or written.
I was talking with a musician before coming to NYC, and he had been comissioned to make music for a prehispanic audiovisual presentation. He was working on them, trying to get original sounds and music, but he posed some interesting questions. How do we know how did the music sound in pre hispanic days, if there is not a single music sheet saying how they measured time, how they kept beat.
and lastly I need to talk about albures, perhaps not something I am very proud of regarding mexican culture, however they play a role in communication.
SO what is albur
Usually, the game of albures is a subtle, verbal competition in which the players try to show superiority by using albures attempting to leave the opponent without a comeback.
In Mexico, an albur is a pun or a double entendre in which one of the possible meanings carries sexual undertones. It is very common among groups of predominately male friends, however, its use is considered rude or distasteful when not amongst friends, especially when in the presence of women.
Brozo (mexican parody of Bozo) has been known for having albureado several prominent political figures in Mexican television such as Mexico’s current president, Felipe Calderon (2006-2012).(http://en.wikipedia.org/wiki/Albur)
And I remember reading or hearing about how Alejo Carpentier, cuban novelist, attended a voodoo session and put to writing all the sounds that were generated, creating this really musical written word. He was the precursor of Magic Realism.
Also I want to comment more on these articles.
http://www.moreintelligentlife.com/node/862
http://www.moreintelligentlife.com/archive/being-there-the-washington-alphabet
These ideas all came to mind, while I was reading walter ong and I am still trying to connect, if it is actually possible to connect them.
Before I get dissapointed and discouraged with this project. I rather write it down.
I want to build upon my car project. I really like my toy car and I believe it can be worked upon.
Using photo sensors, I want to establish the relatonship between the car and a Altoids Tin box. The Tin box can either be “the owner” or the “car’s house” the garage. So everytime the car passes by the tin box, a light will turn on showing “excitement” on the tins side.
I got my arduino and breadboard to look just like the pictures.
My potentiometer was woking backwards, Juri and Adi helped me find out that my wires were wrong. We switched them and then it worked. Now I need to unsolder.
Now, how do I go from there.
Questions:
What does PWM mean? Pulse Width Modulation? still what does it mean?
PWM stands for Pulse Width Modulation. The speed controller uses PWM to control the power going to the motor. The controller breaks the current going to the motor into separate pulses that occur about 13,000 times per second. The percentage of the pulse that is on power compared to the part of the pulse that is off power determines how much power the motor sees. An oversimplified example is that if 50% of the pulse is on and 50% is off, the motor sees 50% power.
Now with adi, we learned how to use flexometers.
It worked but the change in the LED does not show very much, it is not amazing.
map function
ask about this
map (minvalue,maxvalue, 0, 1024);
idea one
the car goes into a box and trns off the light since it is at the motor hotel.
idea two,
an altoids box when you open it the lights go on and a shape shows. very corny. but works.
Questions I got in the book and from the Lab. And yet I have not really finished my variable resistors project.
What is linear taper? wait, do I ned to know that?
what is an audio taper?
Why would I need a capacitor for?
Why would I need a capacitor?
What is forward voltage?
I dont get transistors at all or relays?
What kind of projects would I need Stranded Wire?
What about a servo?
Clock Crystals? Do i need to know about them?
What is a standalone device?
questions around flexometers.
map function
ask about this
map (minvalue,maxvalue, 0, 1024);
This was my experience with Olaf Eliasson’s work,as you can see I was really moved. I have plenty of photographs and they are still part of my work. In the last months when I read that he would be presenting a piece of art for new yorkers, I was very excited. I looked at the date of closure to make sure I would not miss it. I wanted to be amazed again.
Perhaps, with all these unclaimed baggage of expectations, I went to see New New York waterfalls by Olaf Eliasson.
I was disappointed.
I did not like it when I saw the whole nuts and bolts of the piece, I assume it must be a very difficult task to set up and dismount, to get the permits and all the bureacratic crazynesss. But I did not like that I could not feel the piece, I wanted to touch the water just as the “Sun” in London had bathed all the audience. Here all that people could do was take pictures.
I did not see the relation between the waterfalls and NewYorkers, it did not offered a point of view, opinion, criticism or new conversation with New York, or at least I did not grasp it. I found that since there were so many of the waterfalls, the awe of the piece was lost to all these little “franchises” it did not unite people from different backgrounds to see and get affected by the piece. You had the “Cruise” Experience, the “Ikea” experience, the “Circle Line” experience, the “bridge” Experience.
One last thing I loved about the “Weather Project” was that it brought people, from different backgrounds, to one place and made them realize, that no matter where or how or when you came from, we are all affected by the sun, either by the lack or the installation of an artificial one. They all had a different experience of the Weather Project, but they were all given the same input.
So this is my experience with Olaf’s Waterfalls, I guess I will always have fond memories of The Weather Project and I have learned not to raise my expectations to heights where I cant be surprised. Overall, in the whole trip I was gladly surprised to see Miss Liberty in her very nice gray/greenish nightgown.
So this is my attempt at the Pcomp project. I still need to get a better understanding of how it works. So I shall write my process of arriving to these pictures. After class on wednesday the third, all the class went to buy their lab kits to the computer store. ”sorry we ran out, the order is still to arrive” bummer. I had no clue into electronics and now didnt have material to even feel more lost. I went on to read some of the other book, waiting, praying that the lab kits would arrive soon. next day I woke up early and by chance I stopped by the computer store, they had the lab kits. I was happy and sent an email on the thread to tell I had got my kit and they had plenty more. I opened the kit on the lab, and I was confused, too many tools, very pretty ones but did not make sense on how to even start.I asked for help, and tomás kindly helped. he explained and helped me put all my breadboard and arduino together. the LED´s blinked and did what they were supposed to do. I was happy although I had an intuition that if I were asked to do it again I would not know to reassemble my blinky LED´s.I took pics before hand in case I did not get to get it working again, I took video. kind of crappy pics and video. So I pulled everything apart, (important lesson to be learned next time: REVERSE ENGINEERING), without looking at how I was disassembling. I went back to step 0. I looked at the tutorial and with some more question, now I had a clearer idea of what was I doing. I got it to working, making sure I documented everything, I had my laptob case lying around and trying tomake my pics less crappy I used the case as a a background and it also gave the breadboard a bit more light and contrast. Plus I like orange. I took video and everything. Afterwards I needed to get creative, I love any type of discarded material that can be reused and repurposed. I found the junk shelf, and I found paradise. I found an apple keyboard, a mouse for my laptop ( Ileft all my accesories in Mexico, thanks to the now stricter luggage wight regulations, thanks to the high gas prices). And I found the had a hose, very nice clean and transparent hose. Initially I wanted to play with the hose and a marble, but could not figure out how to make it work with the whole wire, foil etc. So I left the hose for other day, andin the meantime I found my race car.It worked but still wasnt easy to transport. At the Kimmel Center, I found these discarded GOURMET lunch boxes from a convention that ocurred on the weekend. I took one and made the basis of the Garage. hopefully one day, when I have a bit more time (and understand electronics enough to be able to tweak it) I can convert the actual GOURMET lunch box into the real, pop up gourmet race track I had in my mind.